haruki murakami interviewed by korean newspaper and “out” by natsuo kirino
Monday, July 31st, 2006haruki murakami, for those who are unaware, is one of the most popular writers of japan. his novels are usually very dreamy, with an undercurrent of nightmarish angst. and as such, many of his books share some similarities. here are a few of my observations:
1. in his books, usually written from first person perspective, has as the protagonist 30-40 year old japanese man(i guess it’s murakami himself).
2. little girls. and they are usually very helpful.
3. protagonist likes to cook, and listen to records. in almost ALL of his novels.
4. none of his protagonists ever hold down a real job. but are never poor.
5. most of the story has tokyo as its background, with the hero traveling a bit.
6. there’s always a mysterious woman, who is a fortune teller, a mystic, a prostitute, or just plain rich. and they seem to love the protagonist.
7. there is also usually a woman the hero likes/loves, but she disappears, and he must find her.
8. he has fascination with elevators.
so basically, if you’ve read one murakami book, some or most of these elements will be in it. there are exceptions, especially in his short stories, but even there you will find some of these 8 elements. not that he’s a bad writer… i happen to think that “wind-up bird chronicles” is pretty good. but i kind of got sick of pretty much same plot and same descriptions in many of his books.

interviewed on
digital chosun ilbo
for a really great japanese novel, check out natsuo kirino’s “out”.
the story revolves around four japanese housewives in tokyo who make a pact to deal with a dead body, to help out one of their friends. the book has everything, from workers working in a bentou factory(did you ever wonder where those bentous were coming from?) to yakuzas, prostitutes(sorry, hostesses), japanese detectives and sadomasochists.
ms. Kirino’s writing style is unpolished and abrupt, but at the same time refreshingly direct and at times shockingly descriptive, especially when she describes the housewives getting together to dismember a cadaver. kirino doesn’t mope about weighing the morality of murder and human dismemberment, but instead, chooses to focus on almost comically shocking things that these unassuming tokyoite housewives do. highly recommended.

“out” by natsuo kirino











